A Dark History of Gin looks at the origins and development of a drink which seems to have a universal and timeless appeal. Historian Mike Rendell explores the origins of distilling in the ancient world and considers the how, when, where and why of the happy marriage' between distilled spirits and berries from the juniper bush. The book traces the link between gin and the Low Countries (Holland and Belgium) and looks at how the drink was brought across to England when the Dutch-born William of Orange became king. From the tragic era of the gin craze in eighteenth-century London, through to the emergence of the cocktail', the book follows the story of gin across the Atlantic to America and the emergence of the mixologist. It also follows the growth of the Temperance Movement and the origins of the Prohibition, before looking at the period between the First and Second World Wars - the cocktail age. From there the book looks at the emergence in the twentieth century of craft gins across the globe, enabling the drink to enjoy a massive increase in popularity. The book is intended as a light-hearted look-behind-the-scenes at how Mother's Ruin' developed into rather more than just a plain old 'G & T'.

Peek beneath the bedsheets of eighteenth- and early nineteenth-century Britain in this affectionate, informative and fascinating look at sex and sexuality during the reigns of Georges I-IV. It examines the prevailing attitudes towards male and female sexual behaviour, and the ways in which these attitudes were often determined by those in positions of power and authority. It also explores our ancestors' ingenious, surprising, bizarre and often entertaining solutions to the challenges associated with maintaining a healthy sex life. Did the people in Georgian Britain live up to their stereotypes when it came to sexual behaviour? This book will answer this question, as well as looking at fashion, food, science, art, medicine, magic, literature, love, politics, faith and superstition through a new lens, leaving the reader enlightened and with a new regard for the ingenuity and character of our ancestors.

An introduction to the raucous yet educational 'gap year' tours of Europe taken by wealthy British aristocrats in the eighteenth and early nineteenth centuries. For many young eighteenth-century aristocrats, the Grand Tour was an essential rite of passage. Spending many months travelling established routes through France and Italy, they would visit the great cultural sites of western Europe - from Paris, through to Venice, Florence and Rome - ostensibly absorbing art, architecture and culture. Yet all too often, it was a gateway to gambling and debauchery. In this beautifully illustrated guide, Mike Rendell shows how the tour reached its zenith, examining the young tourists' activities and how they acquired 'polish' and an appreciation for fashion, opera and classical antiquity. He also explores their passion for souvenirs and art collecting, and how these items made their way back to grand country houses, which were themselves often modelled to the rules of classical European architecture.

The Georgian era is known for its lavish fashions and sumptuous food, as well as being a time of great social and political change. It saw the birth of the Industrial Revolution, the abolition of the slave trade and the expansion of the British Empire throughout the world. It is also an era greatly associated with the Arts - prolific writers and artists such as Shelley, Wordsworth, Austen and Turner changed the British cultural landscape. History is not just about kings and queens, or battles lost and won, it is also about the way ordinary people lived and changed the world around them. Mike Rendell covers some of the weird and wonderful facts about the era, as well as debunking some of the myths, in easy-to-read, bite-size sections. Find out about the vicar who discovered aspirin and the man who made his fortune from a toothbrush, alongside the personal lives of the monarchy.

Petticoat Pioneers offers a fascinating insight into the world of female inequality in the Eighteenth Century. It looks at the reasons for that inequality the legal barriers, the lack of education, the prejudices and misconceptions held by men and also examines the reluctance of women to compete on an equal footing. Why did so many women accept that a woman s place was in the home ? Using seventeen case studies of women who succeeded despite all the barriers and opposition, the author asks why, in the light of their success, so little progress was made in the Victorian era. Representing women from all walks of life; artists, business women, philanthropists, inventors and industrialists, the book examines the way that the Quaker movement, with its doctrine of equality between men and women, spawned so many successful businesses and helped propel women to the forefront. In the 225 years since the publication of Mary Wollstonecraft s A Vindication of the Rights of Woman, questions remain as to why those noble ideas about equality were left to founder during the Victorian era? And why are there still so many areas where, for historical reasons, equality is still a mirage?

In Bed with the Georgians provides a fascinating insight into life under the bed-clothes in Georgian England, where the Madams and pimps were able to thrive in the eighteenth century like never before. It looks at high-class seraglios as well as the brothels, jelly-houses and bagnios which flourished openly, especially in the area around Covent Garden. It looks at courtesans from the highest echelons of society, the kept women, the sex-workers in 'houses of pleasure', down through to the street walkers and common whores. It shows the way that the sex scene was portrayed in contemporary letters and press reports, and focuses on royal scandals, aristocratic shenanigans and immoral behaviour. The book looks at the role of Grub Street, the growth of celebrity status, and the way courtesans occupied a demi-monde of great popularity, with their enormous wealth and conspicuous spending. In particular it looks at the way that caricaturists, such as Gillray, Rowlandson, Newton, and Cruikshank, pilloried the rich and famous for their peccadilloes, satirizing their wild excesses, and by so doing helped inform the general public of what their 'social superiors' were getting up to.This book is lavishly illustrated in colour and contains a useful glossary of many aspects of the world of the sex trade in London two and a half centuries ago.

Pirates and Privateers tells the fascinating story of the buccaneers who were the scourge of merchants in the 18th Century. It examines their lifestyle, looking at how the sinking of the Spanish treasure fleet in a storm off the coast of Florida led to a pirate's gold rush; how the King's Pardon was a desperate gamble - which paid off - and considers the role of individual island governors, such as Woodes Rogers in the Bahamas, in bringing piracy under control. The book also looks at how piracy has been a popular topic in print, plays, songs and now films, making thieves and murderers into swash-buckling heroes. It also considers the whole question of buried treasure - and gives a lively account of many of the pirates who dominated the so-called 'Golden Age' of Piracy.

This book will look at the phenomenon of celebrity hookers in the eighteenth century -all of them the subject of extraordinary press scrutiny and comment. They were the fashion icons of the age, and what they wore was copied and put on sale in the high street within days. Many of them were passed around within the same small circle of aristocratic lovers. They were the object of constant gossip and whether they were flaunting their fame by taking a box at the opera for the entire season, or by parading through Hyde Park in a phaeton pulled by matching cream ponies, or returning from Paris wearing the very latest fashions, they enjoyed a celebrity status nowadays bestowed on TV reality stars and footballers' wives.

This is the story of one of the most famous and popular entrepreneurs of the 18th Century - a man dubbed "the father of the modern circus." Philip Astley was a teenager who yearned for adventure and above all who wanted to work with horses. He served in the British Army in the Seven Years War, learning how to train horses for battle, and then left to find his fortune in London giving riding lessons and putting on exhibitions of trick riding. In doing so he came up with a formula for entertaining thousands, with his demonstrations of clowning on horseback, juggling, rope walking and acrobatics. He dazzled with fireworks, he impressed with colour and he amazed his audiences with re-enactments of battles and sieges. In doing so he launched the modern circus, building circus premises across Europe and inspiring others to follow the trail which he blazed. It is a story of courage and resilience, and of how one man, in the right place at the right time, achieved a remarkable success in the field of popular entertainment. This version is heavily illustrated throughout, thirty of the illustrations being in colour.

A collection of paper cut-outs, most of them made by Richard Hall between 1780 and 1800. They illustrate life in the Georgian period and offer a fascinating glimpse of everyday life.